“Beck’s influence can be heard in everything from Bruno Mars to Arcade Fire…” -Sydney Morning Herald
Hailed in advance by Rolling Stone as a “euphoric blast of experimental pop,” Beck’s 13th album Colors has been confirmed for an October 13 release on EMI Music Australia. Possibly the most aptly titled work in Beck’s storied discography, Colors unfolds in an intoxicating rainbow of auditory tricks and treats, making it a shoo-in for the summeriest smash of the Spring season. The newest advance taste of the album is the captivating piano-driven “Dear Life,” available instantly with pre-orders and subject of a lyric video now live at beck.to/dearlifelyric.
Colors is Beck’s first full length offering of new material since 2014’s Morning Phase took Album of the Year top honors at the 57th Annual Grammy Awards, as well as Best Rock Album and Best Engineered Album (Non-Classical) category. In addition to the newly unveiled “Dear Life,” Colors includes both Beck singles that preceded it: a new mix of the psych-dance summer jam “Dreams” that NPR hailed as “urgently contemporary and irresistibly vintage” as it gave Beck his second #1 single at AAA radio (the first being Morning Phase’s “Blue Moon”), and the retro-futuristic earworm and USA Today Song of the Week “Wow” that had Stereogum praising its “big, sweet incandescent hook” and plainly stating “It’s a great song!” while Esquire rejoiced “All hail the return of Party Beck.”
Colors can be pre-ordered through Apple Music, pre-saved via Spotify, and more. The track listing for the album is:
I’m So Free
Up All Night
Colors was produced by Greg Kurstin and Beck, with the exception of “Wow” produced by Beck and Cole M.G.N., and “Fix Me” produced by Beck. The album was mixed by Serban Ghenea, except “Dreams” and “Up All Night,” which were mixed by Greg Kurstin and Beck.
Beck is currently in the midst of a headlining run, as always generating yet more of the most enthusiastic notices of his live career, including:
“An electrifying Beck worth the wait at first Milwaukee concert in 20 years… at his sold-out show at the Riverside Theater Wednesday, he proved that in his case, time is irrelevant… His strongest songs are imaginatively created, impeccably executed, incredibly catchy and as alive as music can be… Beck also proved he’s still an innovative craftsman with two newer songs. ‘Dreams’ was awash in fuzzed-out synthesizers, celestial backing vocals and gentle acoustic guitar strums… And ‘Wow’ live was a wonderfully weird, and captivating, blend of hip-hop beats and dreamy pop melodies… Yet another song only Beck could pull off.”—Milwaukee Journal-Sentinel
“You wouldn’t have known nine years had passed between Beck’s last Twin Cities concert and his rascally show Thursday night at the Palace Theatre in St. Paul. At 47, the Californian hippie hip-hop rock hipster — who’s already due back Sept. 8 opening for U2 at U.S. Bank Stadium — looked as spry, slender and elfin as he did back in 2008… he and his seven-piece band walloped the audience with an almost nonstop string of funky, rowdy fan favorites… the harmonies soared… spirited and irresistible.”—Minneapolis Star Tribune
“Beck has a style and a sound that could suit any era and fit any occasion… He playfully eludes easy categorization, and remains one of the most distinctive songwriters of the modern era… On Thursday night at a sold-out Palace Theatre, all of Beck’s many creative sides were on full display, as he and his cracking seven-piece backing band delivered a lively 95-minute set that mixed his big radio hits in with tender, unguarded moments… he seemed rejuvenated, enjoying himself as much as he did during his alt-outsider early days. Beck can bring the party with the best of them, while also soothing your broken heart if you need it. He did plenty of both on his grand return to Minnesota.”—City Pages