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One-woman synth pop act, Ladyhawke (Pip Brown), returns with her 3rd studio album ‘Wild Things’, set for release on June 3 and available for pre-order here now. The first single to be released from the album is the deeply revealing and infectious  ‘A Love Song’.

“A Love Song,” is one of the deep-dives into relationships from the album – a sweeping, reverberating revelation. “‘This is what a love song sounds like’—meaning it’s not all sappy,” she explains. “I’d lose everything if I didn’t stop drinking. The other person in your life, sometimes they have to be cruel to be kind.”

‘Wild Things’ is Ladyhawke’s first album release since 2012’s ‘Anxiety’. “People wonder why there’s always a massive gap between my albums,” says Pip. The reason is both complicated and easy. The simple explanation: “I’ve never released anything I’m not proud of. That’s important to me. I don’t want to release anything that I have a weird feeling about.”

Those instincts have served Brown well, starting with her collaboration with Pnau on “Embrace” from the duo’s 2007 self-titled album, one of their best-known songs which went platinum in Australia. She released her self-titled debut in 2008, which peaked at No. 16 on the U.K. album charts and No. 1 in Australia and New Zealand’s album charts. Featuring the songs “Paris Is Burning”, “My Delirium”, the album won Australia’s ARIA music awards for Best Breakthrough album and Best Breakthrough Single. Brown also took home six New Zealand music awards and was nominated for The Brits’ much coveted Best International Artist.

Three years later, Ladyhawke’s more aurally angular follow-up, “Anxiety”, yielded the stand-out, synch-friendly single, “Blue Eyes.” Like its predecessor, the album charted in the U.K.’s Top 40 and in Australia’s and New Zealand’s Top 20, respectively.

Brown’s conviction to authenticity led her on a journey starting in 2013. Over three years, she scrapped a full Ladyhawke album (“The material didn’t feel like me. It felt too dark or something”). Once reliant on alcohol to surmount social anxiety (“I’d never done a sober show in my life until last December”), she quit drinking and focused on getting healthy. Then she welcomed that newfound clarity by crafting her latest release, the blissed-out ‘Wild Things’.

“I think I went even more synthy and poppy this time around,” Brown says of the buoyant Wild Things. “I feel good for the first time in 10 years. I actually have a clear mind! I have a wife. I feel stable. That is what I’m celebrating.”

Pip worked on the album on and off over the course of a year with producer Tommy English (Børns, Tiësto, Dark Waves), whom she met through her L.A. neighbor, tattoo artist/musician Kat Von D.

In many ways, “Wild Things” is less about past demons and more a catalyst of what’s to come. “This album has given me a sense of purpose. Even if it took me months or years to get that purpose, as soon as I finished that record it was like an unbelievable weight was lifted off my shoulders,” she says. You can hear that freedom in Wild Things’ unabashed exuberance, a powerful, vibrant expression of life itself. “Everything I wrote was all the stuff I was going through. I got it out of my system, exorcised it from my soul.”