Navigation Menu+

The Beatles

Website: www.thebeatles.com

Facebook: www.facebook.com/thebeatles

Twitter: www.twitter.com/thebeatles

Instagram: www.instagram.com/beatlesstore/

YouTube: www.youtube.com/thebeatles 

 

Images:

    

 

 

Artwork:

 

Video:

Bio:

 

‘White Album’ Presented with New Mixes in Stereo and 5.1 Surround Audio;

Expanded with Previously Unreleased Demos and Session Recordings

 

In November 1968, millions of double LPs were shipped to record stores worldwide ahead of that tumultuous year’s most anticipated music event: the November 22nd release of The BEATLES (soon to be better known as ‘The White Album’). With their ninth studio album, The Beatles took the world on a whole new trip, side one blasting off with the exhilarating rush of a screaming jet escorting Paul McCartney’s punchy, exuberant vocals on “Back In The U.S.S.R.” “Dear Prudence” came next, John Lennon warmly beckoning his friend and all of us to “look around.” George Harrison imparted timeless wisdom in “While My Guitar Gently Weeps,” singing, “With every mistake we must surely be learning.” Ringo Starr’s “Don’t Pass Me By” marked his first solo songwriting credit on a Beatles album. For 50 years, ‘The White Album’ has invited its listeners to venture forth and explore the breadth and ambition of its music, delighting and inspiring each new generation in turn.

 

Today, The Beatles will release a suite of lavishly presented ‘White Album’ packages (Apple Corps Ltd./Capitol/EMI Music Australia). The album’s 30 tracks are newly mixed by producer Giles Martin and mix engineer Sam Okell in stereo and 5.1 surround audio, joined by 27 early acoustic demos and 50 session takes, most of which are previously unreleased in any form.

 

“We had left Sgt. Pepper’s band to play in his sunny Elysian Fields and were now striding out in new directions without a map,” says Paul McCartney in his written introduction for the new ‘White Album’ releases.

 

This is the first time The BEATLES (‘White Album’) has been remixed and presented with additional demos and session recordings. The album’s sweeping new edition follows 2017’s universally acclaimed Sgt. Pepper’s Lonely Hearts Club Band Anniversary Edition releases. To create the new stereo and 5.1 surround audio mixes for ‘The White Album,’ Martin and Okell worked with an expert team of engineers and audio restoration specialists at Abbey Road Studios in London. All the new ‘White Album’ releases include Martin’s new stereo album mix, sourced directly from the original four-track and eight-track session tapes. Martin’s new mix is guided by the album’s original stereo mix produced by his father, George Martin.

 

“In remixing ‘The White Album,’ we’ve tried to bring you as close as possible to The Beatles in the studio,” explains Giles Martin in his written introduction for the new edition. “We’ve peeled back the layers of the ‘Glass Onion’ with the hope of immersing old and new listeners into one of the most diverse and inspiring albums ever made.”

 

The BEATLES (‘White Album’) releases include:

Super Deluxe

Deluxe

Standard 2LP Vinyl

Deluxe 4LP Vinyl

Much of the initial songwriting for ‘The White Album’ was done in Rishikesh, India between February and April 1968, when John Lennon, Paul McCartney, George Harrison, and Ringo Starr joined a course at the Maharishi’s Academy of Transcendental Meditation. In a postcard to Ringo, who had returned to England before the others, John wrote, “we’ve got about two L.P.s worth of songs now so get your drums out.”

 

During the last week of May, The Beatles gathered at George’s house in Esher, Surrey, where they recorded acoustic demos for 27 songs. Known as the Esher Demos, all 27 recordings are included in the new edition’s Deluxe and Super Deluxe packages, sourced from the original four-track tapes. Twenty-one of the demoed songs were recorded during the subsequent studio sessions, and 19 were ultimately finished and included on ‘The White Album.’

 

The Beatles’ studio sessions for The BEATLES (‘White Album’) began on May 30, 1968 at Abbey Road Studios. In the 20 weeks that followed, The Beatles devoted most of their time to sessions there for the new album, with some recording also done at Trident Studios. The final session for the album took place at Abbey Road on October 16, a 24-hour marathon with producer George Martin to sequence the double album’s four sides and to complete edits and cross-fades between its songs. The Beatles’ approach to recording for ‘The White Album’ was quite different from what they had done for ‘Sgt. Pepper.’ Rather than layering individually overdubbed parts on a multi-track tape, many of the ‘White Album’ session takes were recorded to four-track and eight-track tape as group performances with a live lead vocal. The Beatles often recorded take after take for a song, as evidenced by the Super Deluxe set’s Take 102 for “Not Guilty,” a song that was not included on the album. This live-take recording style resulted in a less intricately structured, more unbridled album that would shift the course of rock music and cut a path for punk and indie rock.

 

The Beatles’ newly adopted method of recording all through the night was time consuming and exhausting for their producer, George Martin. Martin had other duties, including his management of AIR (Associated Independent Recording), and he had also composed the orchestral score for The Beatles’ animated feature film, Yellow Submarine, released in July 1968. After the first three months of ‘White Album’ sessions, Martin took a three-week holiday from the studio, entrusting the control room to his young assistant Chris Thomas and balance engineer Ken Scott. Scott had taken the place of engineer Geoff Emerick, who left the sessions in mid-July. On August 22, Ringo Starr also left the sessions, returning 11 days later to find his drum kit adorned with flowers from his bandmates. While the sessions’ four and a half months of long hours and many takes did spark occasional friction in the studio, the session recordings reveal the closeness, camaraderie, and collaborative strengths within the band, as well as with George Martin.

 

The BEATLES (‘White Album’) was the first Beatles album to be released on the group’s own Apple Records label. Issued in both stereo and mono for the U.K. and in stereo for the U.S., the double album was an immediate bestseller, entering the British chart at number one and remaining there for eight of the 22 weeks it was listed. ‘The White Album’ also debuted at number one on the U.S. chart, holding the top spot for nine weeks of its initial 65-week chart run. In his glowing ‘White Album’ review for Rolling Stone, the magazine’s co-founder Jann Wenner declared: “It is the best album they have ever released, and only The Beatles are capable of making a better one.” In the U.S., ‘The White Album’ is 19-times platinum-certified by the RIAA and in 2000, it was inducted into the Recording Academy’s GRAMMY® Hall of Fame, recognizing “recordings of lasting qualitative or historical significance.”

 

 

Watch a brief trailer video for The BEATLES (‘White Album’) HERE

 

The BEATLES (‘White Album’) Tracklists

 

Super Deluxe [6CD+1Blu-ray set / digital audio collection]

 

CD 1: The BEATLES (‘White Album’) 2018 Stereo Mix

Back in the U.S.S.R.

Dear Prudence

Glass Onion

Ob-La-Di, Ob-La-Da

Wild Honey Pie

The Continuing Story of Bungalow Bill

While My Guitar Gently Weeps

Happiness is a Warm Gun

Martha My Dear

I’m so tired

Blackbird

Piggies

Rocky Raccoon

Don’t Pass Me By

Why don’t we do it in the road?

I Will

Julia

 

CD 2: The BEATLES (‘White Album’) 2018 Stereo Mix

Birthday

Yer Blues

Mother Nature’s Son

Everybody’s Got Something to Hide

Except Me and My Monkey

Sexy Sadie

Helter Skelter

Long, Long, Long

Revolution I

Honey Pie

Savoy Truffle

Cry Baby Cry

Revolution 9

Good Night

 

CD 3: Esher Demos

Back in the U.S.S.R.

Dear Prudence

Glass Onion

Ob-La-Di, Ob-La-Da

The Continuing Story of Bungalow Bill

While My Guitar Gently Weeps

Happiness is a Warm Gun

I’m so tired

Blackbird

Piggies

Rocky Raccoon

Julia

Yer Blues

Mother Nature’s Son

Everybody’s Got Something to Hide

Except Me and My Monkey

Sexy Sadie

Revolution

Honey Pie

Cry Baby Cry

Sour Milk Sea

Junk

Child of Nature

Circles

Mean Mr. Mustard

Polythene Pam

Not Guilty

What’s the New Mary Jane

 

CD 4: Sessions

Revolution I (Take 18)

A Beginning (Take 4) / Don’t Pass Me By (Take 7)

Blackbird (Take 28)

Everybody’s Got Something to Hide

Except Me and My Monkey (Unnumbered rehearsal)

Good Night (Unnumbered rehearsal)

Good Night (Take 10 with a guitar part from Take 5)

Good Night (Take 22)

Ob-La-Di, Ob-La-Da (Take 3)

Revolution (Unnumbered rehearsal)

Revolution (Take 14 – Instrumental backing track)

Cry Baby Cry (Unnumbered rehearsal)

Helter Skelter (First version – Take 2)

 

CD 5: Sessions

Sexy Sadie (Take 3)

While My Guitar Gently Weeps (Acoustic version – Take 2)

Hey Jude (Take 1)

St. Louis Blues (Studio jam)

Not Guilty (Take 102)

Mother Nature’s Son (Take 15)

Yer Blues (Take 5 with guide vocal)

What’s the New Mary Jane (Take 1)

Rocky Raccoon (Take 8)

Back in the U.S.S.R. (Take 5 – Instrumental backing track)

Dear Prudence (Vocal, guitar & drums)

Let It Be (Unnumbered rehearsal)

While My Guitar Gently Weeps (Third version – Take 27)

(You’re so Square) Baby, I Don’t Care (Studio jam)

Helter Skelter (Second version – Take 17)

Glass Onion (Take 10)

 

CD 6: Sessions

I Will (Take 13)

Blue Moon (Studio jam)

I Will (Take 29)

Step Inside Love (Studio jam)

Los Paranoias (Studio jam)

Can You Take Me Back? (Take 1)

Birthday (Take 2 – Instrumental backing track)

Piggies (Take 12 – Instrumental backing track)

Happiness is a Warm Gun (Take 19)

Honey Pie (Instrumental backing track)

Savoy Truffle (Instrumental backing track)

Martha My Dear (Without brass and strings)

Long, Long, Long (Take 44)

I’m so tired (Take 7)

I’m so tired (Take 14)

The Continuing Story of Bungalow Bill (Take 2)

Why don’t we do it in the road? (Take 5)

Julia (Two rehearsals)

The Inner Light (Take 6 – Instrumental backing track)

Lady Madonna (Take 2 – Piano and drums)

Lady Madonna (Backing vocals from take 3)

Across the Universe (Take 6)

 

Blu-ray: The BEATLES (‘White Album’)

Audio Features:

: PCM Stereo (2018 Stereo Mix)

: DTS-HD Master Audio 5.1 (2018)

: Dolby True HD 5.1 (2018)

: Mono (2018 Direct Transfer of ‘The White Album’ Original Mono Mix)

 

Deluxe [3CD digipak / 180-gram 4LP vinyl box set (limited edition) / digital audio collection]

The BEATLES (‘White Album’) 2018 Stereo Mix

Esher Demos

 

Standard 2LP Vinyl [180-gram]

The BEATLES (‘White Album’) 2018 Stereo Mix